![]() ![]() A disturbing experience with a feeling that something is unfinished. The claustrophobic mood adds a lot, while the organization of the food in the pic is really disturbing. Learn how it integrates with Blackboard Learn, Canvas, Brightspace, Moodle, and more. The film is full of suspense and tension (camera work, lightings, costumes, settings are all great work), but again, suspense would have been much increased if we knew the characters better. LockDown Browser prevents cheating during proctored online exams. The issue is that we, STILL, would have loved to know better the main protagonists. In March of 2020, Californians had no idea how much a new coronavirus would upend their way of life. So, having different clans tells a lot about human nature, according to him, and is not an issue. by Richard Procter MaUpdated July 31, 2023. Again, there are certainly lots of Nicloux's fears in this, as he mentioned THE TOWER was probably his most personal film. Instead, they form different clans, and the whole film deals with the battle of these clans. Unfortunately, we can't really identify with the characters, and we don't care if one dies or doesn't: they're two dimensional, and not engaging (despite a great cast!), for we know nothing about them. This is what we could have expected, as the film's promise, but it won't happen. We would have loved to know better the characters, and the film to deal with psychological relations between the different characters, ie., how everyone reacts differently to the event. ![]() Still, one can regret that the concept is not used at its maximum potential. The fog is stil a nice concept, and being only a pretext works, for the movie (and its horror) is about human nature. So, the supernatural fog element here is only a pretext and doesn't represent the horror of the film. What's at the center of the story is the behavior of 150 people (or, more precisely, of 3 clans) who are forced to live together inside a tower, for years. This is first a film about society and social relationship. Well, THE TOWER is not really horror, or at least, we can say it's not as bloody nor gore than horror movies such as SAW or similar films. It poses itself as a "horror film" about a post-apocalyptic world in a tower. His new film takes a clearly different path, with a very different cast and atmosphere. Human nature, claustrophobia and the idea of trap were already present, for instance, in his poetic and beautiful VALLEY OF LOVE, with the giants Gerard Depardieu and Isabelle Huppert. Nicloux knows how to deal with the same topics while making very different films. Guillaume Nicloux is definitely one of the most known French filmmakers and has made beautiful movies. Per le opere presenti in questo sito si sono assolti gli obblighi previsti dalla normativa sul diritto dautore e sui diritti connessi. ![]()
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